Don't work with bots
Work with people who work with bots.

I got my first video camera from my grandfather when I was 12. It was a 16mm film camera, and every reel had to be mailed overseas for development. It took over a month just to see what I had captured. Fast forward 35 years, and I’m creating same-day visual with no film. No tape. No camera. Sometimes, not even actors. We’re generating entire scenes from prompts. The barrier between idea and execution has all but vanished. It’s surreal — and exciting.

I’ve worked in nearly every role you can imagine in this industry — director, animator, illustrator, VFX artist, screenwriter and motion designer and Lately, I’ve been exploring the strange and stunning world of AI-generated video — not as a replacement for craft, but as another tool in the kit.
While a lot of filmmakers and animators looked down on AI visuals, I saw the potential and dove right in. Reacting with fear is natural — we all do it. But sometimes the tide is so strong, you either go with it or get swept away.

AI is going to change filmmaking — no doubt. But it won’t replace the vision behind the lens. It won’t write a smarter joke, or choose the perfect cut, or feel the timing in a punchline. That’s where I come in. For the past two years, I’ve been pushing the limits of what AI can do when it's led by someone who knows how to tell a story  

My studio might now be a corner of my New Jersey home, but the work? It’s global. I make ads, music videos, comedy sketches, product demos, and surreal experiments that blend old-school technique with new-school tech.

This isn’t a content mill, and I’m not in it for volume. I work closely, carefully, and creatively — with people who value originality, craft, and a little madness in the mix. You’re welcome to check my availability for interesting projects.